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The Red Clay Ramblers with Fiddlin' Al McCanless The Bible Salesman THE BOTHY BAND -- Honored with a Stamp Stephen Holden on Cabaret vs. Arena OIL CITY SYMPHONY in California Josh Harris Oak Grove Folk Festival RADIO GALS in RALEIGH Summer "Lunches" Sheet Music
THE BOTHY BAND Honored with An Irish Stamp
Triona Ni Dhomhnaill writes to inform us that the Irish post office has issued four commemorative stamps honoring 4 Irish trad bands: The Bothy Band (the band Triona played keyboards for), De Dannann, The Tulla Ceili band and
Planxty. FMI: www.irishstamps.ie
My local Wachovia branch is beginning to look like a supermarket in Zimbabwe. Is it just me or does anyone else have a sneaky suspicion that almost anyone who is even minutely connected to the financial crisis, anyone who works for Washington or the media conglomerates or for the towers of the "Free Market" for that matter, will be tarred with the same brush as the geniuses and Masters of the Universe who got our economy in this mess. They're not going to be trusted, much less tolerated, in the days to come. Many of these guys and gals still have a job and a built in retirement package. They will all walk away from all of this. The Bailout Plan has evidently left in all sorts of loopholes for Universe Masters and their minions, in regard to capping executive pay and puncturing golden parachutes, the kinds of things to which the American public has been overwhelmingly opposing. Does anyone besides me envision a "trust crisis" and a nasty Capra-esque revolt by the general American public? I only hope that huge criminal indictments aren't too long in coming. The Demise of the Cabaret Artist
In the shouting, brawling world of mainstream pop, the essential qualities of a cabaret performance — intimacy, emotional vulnerability and interpretive subtlety — have little place. In many ways cabaret embodies artistic values that are the antithesis of those promoted by that monstrous star-making machine, “American Idol.” In Simon Cowell’s critical lexicon, the words “too cabaret” are a damning indictment.
“American Idol” treats singing as an Olympic-style competitive sport in which songs, edited into fragments, no longer tell stories. Their remains become heavily amplified exhibitions of stamina and ego by performers for whom youth, beauty and novelty matter as much as talent.
For the majority of Americans, live music is now an arena-ready event that exalts raw physical energy and the kind of prowess measurable in athletic terms. The typical concert is an orgiastic rite of communion between the public and celebrity. Demolished to make room for coliseums where blood sports rule, the romantic cubbyhole has become as anachronistic as the notion of privacy itself.
and the Listening Room? --Stephen Holden NYTIMES 10/26/08 Clyde Edgerton has a cool new book out. It's called the Bible Salesman, and it's funny as hell. We are toying with the idea of working it up as a readers's theatre piece with music.
"This is the Hour of Lead --
Remembered, if outlived,
As Freezing persons recollect the Snow -- First -- Chill -- then Stupor -- then the letting go." -- Emily Dickinson, from "After Great Pain a Formal Feeling Comes", quoted from article in the WALL STREET JOURNAL, 10/13/08
"I'm convinced that the immediate mass flip-out over the Palin nomination can't be entirely explained by sexism, elitism or partisan animosity. It was a symptom of just how much the presidential future is a suspense movie scored by Bernard Herrmann." ---Sarah Vowell, NYTIMES 9/07 full op-ed article Shawnee Press of Nashville, TN has just released a songbook of many of the songs from SMOKE ON THE MOUNTAIN, the hit Off-Broadway musical and regional theatre stalwart created by Connie Ray and Alan Bailey. Mark Hardwick and I did the musical arrangements. The glossy new SMOKE Songbook contains over 14 songs from the show plus background material and cast photos. It is scored for vocals, piano and guitar, and it includes chord symbols and tabulature.The songbook is on sale for $19.95 which includes free shipping and handling in my store. Oil City, California!!! I was joined in the cast by Shawn Stengel, Molly Wassermann and Mary Murfitt, who directed the production. We got a really great review in the LOS ANGELES TIMES . Shawn actually took the press photos featured in the TIMES review. Also, the one below of us serving punch and cookies beneath the WPA mural at Plummer Auditorium.(l-r Mary, myself, Shawn, Mollie.) More excellent Shawn photos of OCS Fullerton and many others at his SmugMug photo site
On July 21st, Mary took advantage of the new We must be very lucky because the morning after we left SoCal there was a 5 pt. earthquake not very far from where we were staying! JOSHUA THOMAS HARRIS
I was deeply saddened to learn of the death of Josh Harris. He was killed August 30th in Afghanistan, where he was a special Warfare Operator First Class U.S. NAVY SEAL. He had been temporarily deployed overseas from his assignment at the Naval Special Warfare Development Group in Virginia Beach. He had received the Bronze Star, among many other medals and commendations. Although I didn't know Josh well, his mom Evelyn was a friend of mine, member of my church and fellow "theatre nut". Josh attended Lexington Senior High School (my alma mater) where he was a an all-county and all-conference football player. But he had wide and varied interests, and ended up studying art and architecture at Davidson College and UNC-C. He lived in NYC for a time, where he pursued a career in graphic arts before joining the Seals in 2000. From all accounts he was an extraordinary young person. It hits home when this happens to people you know, and especially when it happens to someone who was really trying to make a difference with his life. article in Hampton Roads
"Oak Grove Folk Festival Bill and Jim and Joe and I had a good time playing at the OAK GROVE FOLK MUSIC FESTIVAL. It's held in Verona, Virginia, just north of Staunton. It was an especially convivial weekend because we got to do the gig with the great Robin and Linda Williams and their Fine Group, featuring our own Jim Watson, and Jimmy Gaudreau, and also old friend and multi-instrumentalist/entertainer par excellence John McCutcheon was on hand, wowing the crowd as usual. Also on hand was singer Joyce Breeden, and blue stone sky. The festival is produced by the Theatre Wagon of Virginia and happens on the site of the Oak Grove Theatre, an outdoor stage company founded by Fletcher Collins in 1952. Fletcher and his wife Margaret were local and national legends, fostering and encouraging theatre and performing arts in the region and beyond for many years. They are also the parents of
Dr. Francis S. Collins, of the National Human Genome Research Institute. Tom and Gail Watts made a video of the last song of the weekend, Francis singing "All the Good Times Are Past and Gone", with Robin and Linda Williams and their Fine Group: http://www.youtube.com/watch?v=NH7UEXkLjT4. The Oak Grove audience section only fits 250 people, and the stage lighting and sound are excellent so it is an intimate musical experience underneath tall towering oaks, and the festival audience is devoted and lovingly attentive. The weather cooperated Saturday and part of Sunday -- beautiful sunny yet un-hot pre-Autumn skies. Sunday was beautiful too but then a Shenandoah storm blew up. We didn't know whether to continue or not. I set up my piano twice only to tear down when the drops started falling. The afternoon concerts finally continued, sans sound system, in the enclosed pavillion next to the stage.
We stayed at "Willoughby", a big rambling 6000 sq. foot house, incorporating many additions and styles of architecture, and dating back several centuries when Augusta County went all the way to the Mississippi River. Willoughby, surrounded by 200 acres of farmland and perched on a hillock overlooking Staunton, is currently occupied and owned by Margaret and Oakley Pearson who were our genial hosts for the weekend. "Summer LUNCHES": LUNCH AT THE PICCADILY enjoyed two productions this summer, the first at the Cape Fear Regional Theatre, in Fayetteville NC, in July, and then at the Parkway Playhouse, Burnsville, NC the first week of August. review in ASHEVILLE CITIZEN
RADIO GALS in Raleigh:
Raleigh Little Theatre did an excellent production of RADIO GALS earlier this summerHaskell Fitz-Simons directed the production. The cast for RLT's production was Hazel: Jo Brown, Gladys: Susan Burcham, America: Katherine Hennenlotter, Rennabelle: Rose Martin, Miss Mabel: Greg Dixon; Miss Azilee: Brent Wilson, and O.B. Abbott: Don Smith. It was a lot of fun to have RADIO GALS produced in the Triangle. There was a nice review in the June 5th edition of the NC INDEPENDENT WEEKLY, and RLT's production was an "INDY PICK".
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