In 1998 I was commissioned by Don Steele of the Boot Hill Repertory Company of Dodge City, Kansas, to come up with a musical/theatrical take on Dodge City's early history. This song, a warped valentine to the early days of Dodge, was one of the results. One of the characters in my Bosh and Moonshine musicals (the one that I play) is an undertaker named Mould. There was also another undertaker named Mould -- in Charles Dickens' MARTIN CHUZZLEWIT -- one of my favorite novels.
Once there was a feller named Charlie Rath CHORUS CHORUS
Who not so very long ago
Happened on a spot that weren't too hot
And commenced to shootin' buffalo
Not so far behind a feller named Hoover
Clumb from the primordoal ooze
He laid a board across two hobnail barrels
And made a fortune sellin' booze
Pretty soon lots of little bitty businesses
Spread from the spot like fleas
A couple of corrals and a flock o' nightowls
Feedin' fancy houses full o' chickadeesCHORUS: Oh the beautiful the bibulous Babylon
Where the Jack of Diamonds reigns
May she forever prosper & carry-on
Jewel of the Great High PlainsPretty soon somebody run a railroad
Right through the middle of our game
Kansas got fenced & the cow trade commenced
And our little town ain't ever been the same
With the longhorn comes the rowdy cowpokes
Ready for a shave and a shot
Blastin' off the hats of the town folks
Could be construed as rude by maybe not
When the undertaking trade was bold
A week-end's kill could fill Boot Hill
And put money in the bank for Mould
Jolly cowboys appreciated Shakespeare
That's how I became a star
But tragedy, my friends, it takes beer
So his dressing room is always by the bar
The "Bottom" in the third verse refers to Nick Bottom, a character in Shakespeare's A MIDSUMMER NIGHT'S DREAM, who provides comic relief throughout the play, and is famously known for getting his head transformed into that of an ass by the elusive Puck within the play.
My name is Frederick Fosdick
I've royal blood in my veins
I've got my father's talents
My mother's looks and brains
Mama was heir to an empire
Castles by the dozens
But her dreams were disappointed
By a couple of bastard cousinsThere were rumors of a fatal pill
And a princess hung in a steeple
And something about a legal will
Relatives can be such terrible people
They ripped the throne 'neath Mama's shanks
One day while she was noshing
And banished her to Cleveland
Where she was forced to take in washing
In order to finance my higher education
At the Imperial Academy of Dramatic Art in Valparaiso
Chile?
No, Indiana
Where I excelled at declamationI gloried in the classics
While Ma would scrimp and save;
While I sailed on wings of Poesy
She feared an early grave
But Mama she was practical
She booked me into the circus
Playing Bottom to a warthog
May humility never shirk us
But my undeniable talent
would save me from this fate
I suckered Ma with every bill
While I kept all the gateI soon progressed to tragedy --
MacBeth with chimpanzees --
Mama was forced to join me
In tights on a trapeze
By now she hated the theatre
She complained it was too talky
She got married to a brewer
And moved to Milwaukee
She's now Madame Schlazinksi
A patroness of the arts
While I am here in Dodge
Drinking beer and playing darts
My cousins got the castles
The estates and the domain
While I got the Royal Plunger
To unclog the Royal DrainSo you see how I have struggled
Against gargantuan odds
For my place on Mount Parnassus
Unlike all you other clods
Once when I was a Red Clay Rambler we played a gig in Morden Manitoba. That night I was billeted at the home of a mortician. The first sentence I wrote in my journal the next morning was "I met a mortician from Morden, Manitoba". When I re-read this entry years later I knew it had to be a song.
I met a mortician Mayhap I'll meander
From Morden, Manitoba
And he made me want to be one too
A mortician, that is
Not in Morden, Manitoba
Though most any other place would do
He made a most momentous host
One moist Memorial Day
That marvelous mortician
From Morden, Manitoba
Who made me want to be this way I met a mortician
From Morden, Manitoba
And his name was Mordecai McGoo
He was a modest little Morman
From Morden, Manitoba
And he made me want to be one too
A mortician, that is
Not a modest little Morman
Though I'm sure they're magnificent too
Like that marvelous mortician
From Morden, Manitoba
Who made me want to be one too His mortuary moved me
I marveled at his morgue
I met his manicurist
Whose maiden name was Borg
She was married to a miner
Whose moniker was Sims
I mention them to let you know
That everything's not "m's" How I miss that mortician
From Morden, Manitoba
What merriment we made 'midst the mounds
We meandered all around
Morden, Manitoba
Amd our morbid mischief knew no bounds
Back to Manitoba
Some moist Memorial Day
To that marvelous mortician
From Morden, Manitoba
Who made me want to be this way
That mythical and mystical
And Mephistopholistical
Mortician man from Morden, Manitoba, CA
My name is Deadwood Dan It don't come naturally Instead of cow pokin' and dirty jokin'
But I'm not such a terrible man
I know I've raised some hell
But it don't sit well
But now I want to change
I want to live free on the range
In a charming cottage with a welcome mat
And a parlor organ and a Siamese cat
Now tell me, good people
What you think about that?
Nuts -- it don't go with Deadwood Dan
He's still a terrible man! Don't you ever get tired of the pose
Don't you ever want to stop and smell a rose?
Instead of standing like a soldier
With a big chip on your shoulder
I tell you boys it gives my neck a crick
And chawin' makes me sick
Chawin' makes him sick?
I'd rather dip snuff, you see
With one of them lacy handkerchiefs in tow
To help mop up the blow
And cigareet smokin' and fights
Would you rather curl up with a cup of mint tea
And a copy of WUTHERING HEIGHTS?
No!
On the top of Tucumcari
And churn out little brothers just like me
We'll start a new world order
Just west of the Texas border
In a charming cottages with welcome mats
And parlor organs, and Siamese cats
Now tell me good people what you think about that?
Nuts -- it don't go with Deadwood Dan
He's still a terrible man!
From the 1850's through the 1880's, many unscrupulous real estate speculators and promotors acquired land west the Missouri River that seemed ideal for a future town, and sold it off as building lots. But the hopeful citizens who bought into these deals often arrived at their destination to discover only a wasteland. Many of these supposed towns were advertised as luxurious communities where residents could live cultured and carefree lives in elegant and vernal splendor.
I read about it in a fancy brochure that came one day thru the mail Perhaps its citizens had tired of polo, and tennis, and cards
The prettiest little town you'd ever seen with two acre parcels for sale
It showed citizens strollin' down a main street in top hats & calico
"Greetings," it said in gingerbread, "from Summerville, Colorado" At the at the end of a long long road that leads through a wide ravine
There twinkles a town of a thousand lights -- it's a beautiful beautiful scene
And its court house shines in the morning sun like a marbled temple of old
And its streets spread out in elegant spokes that glimmer with the glints of goldThere's parks and ponds and promenades and a station waiting for a train
There's turrets & towers & trellisses & roses blooming in a lane
There's a college & a half a dozen churches and an opera house on the way
And a steam boat dock & a great town clock strikin' in a grand new day
I could live it seems in the land of my dreams, under a golden bow
In the feckless clime of a town sublime, Summerville, Colorado I held my deed in the palm of my hands as the locomotive hurdled me 'fro
And the stars seemed to rise in the western skies o'er the valley where I was to go
But that great wide glittering main street where the promise of my happiness streamed
Was nothing more than an old cow path full of broken wagon wheels and dreams
Perhaps its businesses had foundered, and its grass withered in yards
Or perhaps some wretched pilgrim disembarking from an eastern train
Discovered that fair Summerville was the figment of a boomer's brain
In the feckless clime of a town sublime, Summerville, Colorado
In the feckless clime of a town sublime, Summerville, Colorado
One night in Drury Lane, in the fifth act of HAMLET
I was just about "to be or not to be"
When I heard a stage whisper from Gertrude, in the wings
And these were the very words she said to me: "There's a hole in your tights --you're not wearing underpants
There's a hole in your tights -- I see England I see France
Grab a leaf from a fig or a poke from a pig
Get a grip, there's a hole in your tights"I struggled oh so valiantly to pull my tunic down
I backed against a column -- I worked my way around
To an arras that was hanging, but I couldn't yank it down
'Til the titters of the audience began to resound "There's a hole in your tights --you're not wearing underpants
There's a hole in your tights -- we see England we see France
Grab a leaf from a fig or a poke from a pig
Get a grip, there's a hole in your tights"I probed my nether regions, this brouhaha to stickle
Twas then that I discovered the extent of my pickle
It seemed the aforementioned hole
Had spread from East to West
Apparently the twain don't meet
So you fill in the rest There's a hole in your tights
You're not wearing any bloomers
There's a hole in your tights
So much for those rumors
Grab a leaf from a fig or a poke from a pig
Get a grip, there's a hole in your tights
Once I was callow
Drifting along the stream
My fields were fallow
'Til you came along like it seemed
You were high, wide, and handsome
Riding that Guernsy cow
So I took up farming
Though I didn't know my butt from a two horse plow
And how we struggled
Through ev'ry foolish scheme
But oh how we snuggled
It was never less than fun
and I thought you were the one
But oh what a golden dreamI should have been bolder
But I was just a buckaroo
I went for a soldier
But by that time the war was through
I asked you if you wanted to get married
I guess you thought I'd never be a keeper
So I started playin' with a bar band
While you bought stock in McCormick Reaper
And so I mosey along
You might think I'd be sad
But there's wine and women and song
I hear people say
I've pissed my life away
But oh what a golden stream
Ladies love strength, ladies love height So ave pui, cara d'amabile
Ladies like a man with a little fight
One who'll stand when duty calls
And if you'll pardon my expression, ma'm
Ladies love ballsLadies love lace, ladies love roses
Ladies love men with enormous noses
Chiseled features, and impressive manes
And above all else, ladies love brains
Who's buying lunch today? Not me, are you?
Most ladies want a man of means
But if the truth be none of the above
I've no idea what ladies loveWomen? My God, I don't know where to begin
Sometimes I think they don't even like men
In principle they might, but when push comes to shove
Most women I know seem cynical of loveLadies love guts, ladies love gall
We must be nuts or we couldn't stand ya'll
But if the truth be none of the above
We've no idea what ladies love
You can say that again
We've no idea what ladies love
Sarah Bernhardt was arguably the greatest actress of the 19th century, and she toured America many times during her career.
I met her at the stage door
At Walnut and old Broadway
She was playing CAMILLE
And the old playbill
Said she'd soon be on her way
I asked her for her autograph
She sweetly said "mais oui!"
And the world stood still in Louisville
The night I met Miss B.She let me sit backstage that night
And watch her from the wings
As she laughed and cried
And loved and died
And a thousand other things
That crowd demanded curtain calls
I counted twenty three
But the world stood still in Louisville
The night I met Miss B.She smiled at me so sweetly
My hand she gently shook
She kissed me on my forehead
And signed my little bookWhat lasted but a moment
Felt like eternity
But the world stood still
In Louisville
The night I met Miss B.
The night I met Miss B.
She was the dame of camellias She loved Prince Napolean She was the dame of camellias (yes)
Not azaleas, not abelias
She was the dame of camellias
She was the sweetheart of gay Paree
They say Cornelius Vanderbilt came to every show
He cried through every scene
You shoulda heard him blow
That little gal she broke the hearts of Europe's howling swells
Including Victor Hugo and his pal the Prince of WalesShe was the dame of camellias
Not azaleas, not abelias
She was the dame of camellias
She was the sweetheart of gay Paree
Though he had chubby arms
Unsuitable for amour
But not without his charms
She had flings with counts and kings
And the czar (he was a dope)
It's even said she had a little diddle with the Pope!
Not azaleas, not abelias
She was the dame of camellias
She was the sweetheart of gay PareeShe was pretty good at laughin'
She was very good at cryin'
But her specialitees
Was murderin' and dyin'
You shoulda seen her Lady Macbeth
Washin' her bloody hands
They say her turn as Hamlet
Was as good as any man'sShe was the dame of camellias (she was heaven sent)
Not azaleas (she can pay the rent)
Not abelias (on our little tent)
She was the dame of camellias (she's magnificent)
She was the sweetheart of gay Paree
Not azaleas (no)
Not abelias (what?)
She was the dame of camellias (who?)
She was the sweetheart of gay Paree
She was the sweetheart of gay Paree
This song was inspired in part by Shawn Werner's piece in DEADWOOD MAGAZINE about the notorious Al Swearengen
Where did she come from where did she go He promised her fame without a price In a palace on a bed In a cold crib on a bed
Under the green corn moon
Who will remember Mary Bright
The girl in the Gem Saloon
Under the green corn moon
A one way ticket to paradise
The girl in the Gem Saloon
Snowflakes falling in her head
Laudanum, laudanum
Under the green corn moon
A one way ticket to Deadwood
The girl in the Gem Saloon
Snowflakes falling in her head
Laudanum, laudanum
Under a green corn moon
Carrying home my Mary Bright
The girl in the Gem Saloon
The girl in the Gem Saloon
He was always known as the undertaker's friend
He'd pick 'em off neat and clean
With a single shot through the middle of the head
Not the nose or the gizzard or the spleen
(Not the nose of the gizzard or the spleen) Lesser gunslingers made a lot bigger mess
And the hearse took extry-long fringes
Just to make damn sure that the coffin stayed shut
I'd use nine inch nails instead of hinges
(He'd use nine inch nails instead of hinges)Remember Texas Jack Vermillion and Bermuda Carlisle
They each took me twenty four hours
Plus a gallon of whitewash to cover up the bile,
Not to mention a wagon load of flowersFolks come for miles and miles around
Just to take a look at Bermy and Tex
Whoever shot 'em blowed their eyeballs out
So I give 'em each a pair of dark specs
(He give 'em each a pair of dark specs)He never shot a horse or a kitten or a kid
Or wives or mothers or fathers
He only shot what needed to be rid
As long as it was God's will, and Mather'sHe was always known as the undertaker's friend
With a single shot through the head
Their defining features he'd leave intact
So folks would know the bastards was dead
(So folks would know the bastards was dead )
When it's rhubarb time in Orangeville
I'll be thinking dear of you
In the golden light of morning
We'd pull rhubarb in the dewI told my darling I liked rhubarb
She baked a rhubarb pie or two
Then came rhubarb cakes and custard
And pretty soon came rhubarb stewI drew the line at rhubarb gravy
My darling's face turned white as chalk
I swore I'd rather join the Navy
Than eat another blasted stalkWhen it's rhubarb time in Orangeville
I no longer think of you
The pigs got in my patch of rhubarb
Tonight I'm having barbeque
There's a ghost in the theatre
On stormy nights she lingers
Clinging to the curtains
Catsup on her fingersThere's a ghost in the theatre
Her name is Ethel Redd
She wanders through the dressing rooms
Looking for her headThere's a ghost in the theatre
With grizzled locks, and gory
But like every would-be actress
She's dreamt of nights of gloryThere's misery in her moaning
There's torment in her tread
Some say they're due to a bad review
Some say to gas insteadBe careful how you love her
Lest you should get her goat
For if you step upon her lines
She'll likely slit your throat!
They used to stuff people back in old Cairo If I stuffed my loved ones I'd keep them on the porch Or maybe I'd keep them in the old trophy hall There'll be future examples of stuffing you know Stuffed olives, stuffed mushrooms Stuffed aunts and stuffed uncles
And put them in pyramids just for the show
I guess it's all right if you've got the room
But there's nothing like pyramids for pure t gloom
Decorously draped and lit by a torch
Twould keep away in-laws, and salesmen and thieves
Just three of the benefits stuffing achieves
With the stag and the moose and the bobcat and all
I'd point out my fav'rites like dear Uncle Paul
And there's my sweet grandmother's head on the wall
I wish that I could have got all of her back
But she got drunk one night and fell asleep on the track
It's a hell of a place for a wee bivouac
Stuffed porkchops, stuffed peppers, stuffed people
But there's lots of professions that hardly would change
Like state politicians and bankers with jowls
Plus Buckingham Guards, not to mention barn owls
Stuffed lawyer, stuffed D. A., stuffed judge like a porpoise
There'd never be problems with habeas corpus
Stuffed preacher, stuffed poet, stuffed hippotomi
Stuffed tinker, stuffed tailor, stuffed soldier and spy
Like the mother of poor Norman Bates in PSYCHO
and Otzi the Iceman and Saint Bernadette
Though she was not stuffed per se, she just never got wet
Stuffed pillows, stuffed plushrooms,
Stuffed porkchops, stuffed peppers, stuffed people
They'll all still be hanging around at the end
A little retiring but always in view
In case there's the need for a sweet rendevous
Having tea in the parlor every evening at four
There's no conversation so they're never a bore
But they'd still scare the hell out of kids at the door
Stuffed porkchops, stuffed peppers, stuffed people
Stuffed pants and carbuncles
Stuffed porkchops, stuffed peppers, stuffed people
Oh I might go south to Keokuck
Or east to Kankakee
Any old place they take me in
Is 'Home Sweet Home' to me
Well I don't give a hoot what gets me there
Coach or boat or train
As long as I don't have to linger
Out in the cold and rain Oh listen to the whistle
Cuttin' through the lea
Steamin' 'cross the trestle
Railroading on the great I. C. (repeat)We crawled through the briars and the brambles
Til we got to the Aiken Station
And we flagged down a train in the cold and rain
And tried to explain our situation
Have a heart, Mister Conductor
For a widow in distress
Plus her poor old brother and her simple minded cousins
And two little orphans no less Oh listen to the whistle
Cuttin' through the lea
Steamin' 'cross the trestle
Railroading on the great I. C. (repeat)All aboard for Scales Mound, Apple River, Freeport, Red Oak and Buena VistaOh listen to the whistle
Cuttin' through the lea
Steamin' 'cross the trestle
Railroading on the great I. C.Listen to the whistle
Cuttin' through the lea
Steamin' 'cross the trestle
Railroading on the great I. C.
Railroading on the great I. C.
I remember Paris We dined on bread and oranges We sent that bottle waltzing I've wandered through your garden I've witnessed many a curious thing
An April afternoon
Sailing in sunlight
Up in our balloon
And champagne and light
Toasting the future
To art and fame and flight
Into the lake below
Like an aging actress
After her final show
I've lingered on your shore
I've stoked your dreams
Your beautiful schemes
I'm sorry if i couldn't do more
I've lived the life I dared to dream
I should be happy, yet I sing:
"Come back, I beg
My wood so dear
My well turned leg
And yesteryear --
And yesteryear"